Showing 14978 items matching art
Artwork, other (1199) Ceramic (742) Decorative object (662) Drawing (4544) Mixed media (464) Painting (2343) Print (1640) Sculpture (383) Textile (1011) Work on paper (1990)-
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1 Parkhill Drive, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 Parkhill Drive, Kew by Margaret Picken.1 PARKHILL DRIVE., KEW / MARGARET PICKEN ©2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 parkhill drive - kew (vic) -
Whitehorse Historical Society Inc.
Textile - Beaded Lace
Piece of black beaded lacehandcrafts, lacemaking -
Moorabbin Air Museum
Drawing (Item) - Unit Aircraft of Canada PT6A-6 PT6A-20 Engine Installation Free Turbine Governor (option) 3007900
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Benalla Art Gallery
Painting, John Ford PATERSON, Miner’s cottage, 1884
Born: Dundee, Forfarshire,Scotland 1851; Arrived: Melbourne, Victoria, Australia 1872; Lived and worked: Scotland 1875-1884; Died: Carlton, Victoria, Australia 1912VictorianLedger Bequest, 1993Oil on canvas on composition board, depicting a rural landscape and miner's commune off a dirt road. Gold brushed timber frame with decorative gesso edges and corners Recto: Signed and dated “J FORD PATERSON / 1884” in blue oil in l.r.c of composition; Not titledpainting, landscape, house, trees, path, road -
Swan Hill Regional Art Gallery
Print, MORTENSEN, Kevin Christian, Mor Jard (Mother Earth), 1999
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Ararat Gallery TAMA
Textile, Merrill Dumbrell, Congo
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Federation University Art Collection
Ceramic, 'Shino Milk Jug' by Bridget Bodenham, 2007
Bridget BODENHAM Bridget Bodenham has a Diploma of Arts (Ceramics) from the University of Ballarat (now Federation University. In 2006 she received an Emerging Artist grant from the Australia Council for the Arts and was also part of Craft’s annual graduate survey exhibition, Fresh!. She works full time making ceramic serving ware, tableware, utensils and jewellery as well as planter pots and flower vases. The majority of her work is designed to be used and enjoyed. Bridget feels a connection to her surrounding bushland landscape and interprets the tones and textures in her work. She takes great care in creating each piece by hand and firing them up to three times in her large gas kiln. Each firing is totally unique resulting in one off pieces. Bridget Bodenham was a finalist in the Bombay Sapphire Design Discovery Award (2008) for a series of ceramic mortars and pestles, and received an Honourable Mention in the Mino International Ceramic Award, Japan. Bridget aims to create a sense of curiosity and reflection in form and function. She hopes her work delights and engages the owners hands and heart into everyday activities. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Small, thrown ceramic vessel / jug with handle and lip. art, artwork, bridget bodenham, ceramics, alumni -
Ballarat Heritage Services
Ceramic - Artwork - Ceramics, Peter Devanny, Bendigo Pottery Lidded Bowl, c1979
This work is by Peter Devanny who worked at Bendigo Pottery between July 1971 and 1979.Photograph of a saltglazed vessel by Bendigo PotteryBendigo Pottery PDbendigo pottery, ceramics -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
CharcoalSigned and dated 'Bellany '83' in lower right corner of drawing. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Davis Street, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Davis Street, Kew by Margaret Picken.25 DAVIS ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 davis street -- kew (vic.) -
Horsham Regional Art Gallery
Painting, Roger KEMP, On the street, c.1960
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995 -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4/7 Canterbury Road, Camberwell, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Tatura Irrigation & Wartime Camps Museum
Drawing - Drawing - Copy, Siegmund Lewinsohn
Sketch of fellow "Dunera" internee Siegmund Lewinsohn in Camp 2 by Robert Hofmann, former Austrian Court Painter. Photo emailed to Museum. Lewinshohn was born in Dautzig, Germany, Lewinsohn and was first interned at Hay NSW and then at Tatura. He enlisted in the Australian Army in the Employment Company (V503913) on 16 November 1942 at Royal Park, Victoria.Portrait of "Dunera" internee, Siegmund Lewinsohn. The Camp and its buildings, including the watch tower, can be seen in the distance. -
Federation University Art Collection
Work on paper - Printmaking - Linocut, 'Hen Party' by Max Coward, 1964
Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 5 Christowel Street, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ararat Gallery TAMA
Textile, Robyn Daw, Speed, 2001
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - bronze, Elizabeth Pressa, Half Moon Bay, 1997
half moon bay, elizabeth presa, child, boat, water, poem, bayside city council, public art, scultpure -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/12 Gellibrand Street, Kew, 1997
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/12 Gellibrand Street, Kew by Margaret Picken.2/12 GELLIBRAND ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/12 gellibrand street -- kew (vic.) -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Adelie, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/178 Brougham Street, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Modern (1960s?) block of units, named 'Panoramic View'. The pen and ink drawing on drafting film of 1/178 Brougham Street was made by Margaret Picken in 1993.1/178 BROUGHAM ST., KEW / MARGARET PICKEN '93 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/178 brougham street -- kew (vic.) -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Judith Wharington, Echo of Orpheus, 1981
judith wharington, orpheus, echo, river, landscape, greek mythology -
Clunes Museum
Artwork, other - LABEL, BUYERS [AUSTRALIA] LIMITED
LABEL WAS USED ON TINS OF MELRAY JAMS.LABEL, ORANGE, YELLOW AND GOLD, MELRAY CHOICE JAMS.MELRAY CHOICE JAMS.local history, commerce, labels -
Federation University Art Collection
Work on paper - Print - linocut, Soldiers by G. Yorke, 1930s
Linocut of a four marching soldiers.Lino cut, by G. Yorkelinocut, printmaking, alumni, soldiers, redcoats, g. yorke -
Castlemaine Art Museum
Painting, Elioth Gruner, In the Orchard, 1920
Gift of the artist, 1920 -
Moorabbin Air Museum
Mixed media (Item) - Images of Moorabbin Air Museum, Point Cook, and Merlin Manuals, Anthony O'Donnell, Melin Manual Moorabbin Air Museum Point Cook Merlin & Meteor
Contents are stored on a CD. Also stored by the Australian Aircraft Restoration Group on the Australian National Aviation Museum OneDrive. -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Charcoal and ink on papergippsland, artwork, permanent collection -
Flagstaff Hill Maritime Museum and Village
Ceramic - Plate, 1920s
This plate is part of a four-piece place setting, comprising a teacup, saucer and plates, from a tea set. The tea set was given by Eva Carmichael, one of only two survivors of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, the young woman who supported Eva during her recovery from the ordeal. Ms Shields was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This blue china tea set, comprising a teacup, saucer and two plates, is of high significance as it is closely connected to the wreck of the Loch Ard, and one of only two survivors, Eva Carmichael. Memorabilia connected to Eva Carmichael are precious and rare. The Loch Ard shipwreck is significant for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Plate; this plate is part of a ceramic tea set place setting, comprising a cup, saucer and two plates of slightly different sizes. The plate is a royal blue colour with a gold rim.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, ceramic tea set, plate, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting -
Geelong Gallery
Painting - The awakening, BROWNE, Andrew, 2017
Oil on canvas -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Steamboats on Lake Wendouree. Ballarat Star, 21/2/1882, Valuable Additions to the Steamboat Fleet
john garner collection, ballarat botanical gardens, gardens, ballarat, ballarat star, steamboats -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4 Kingsley Street, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses